Issue 008: when the land moves

The image of the Collective Body looks different today. I'm not seeing it in the realistic way it usually shows up, but as an ever-changing painting. As if someone had animated an oil painting with its thick brush strokes and palette knife edges. And that difference means something to me, just like it means something to me if I'm working with an individual body and the imagery shows up in a specific way. This story isn't something in the past, something old, or something we need to look...